《校長報告書》 1982–85

Gwilt, David — • "Foreword." Bauhinian Suite, 1983. — • “A good year — 1685." (Bach and Handel) In the 1985 Arts Festival Souvenir Booklet, pp. 53-54. Law, Daniel Ping-leung 羅炳良 —：《聖樂與崇拜》（聖樂領袖訓練營講詞），《基督敎週報》， 1982.8 . 8。 —：《本港音樂敎育問題初探》，《音樂與音響》， 2 ： 1 ( 1983. 1 ) ，頁 5。 —：《全時間聖樂工人——可能性探究》，《聖樂季刊》， 5 ： 1 ( 1983. 1 ) 。 一：《基督敎學校與美育》，《今日基督敎敎育》， 16 ( 1983. 2 ) 。 一：《家敎》，《音樂與音響》， 2 ： 3 ( 1983. 3 ) ，頁 46。 -：《金牛與活牛——崇拜與聖樂再思》，《聖樂季刊》， 5 ： 2 ( 1983.4 ) 。 一 .“Congregational hymns and pastoral training•” In Hong Kong Bible Seminary 30th Anniversary Bulletin, 1982.11. - . " C o d e of ethics (for musicians)." Music Audiophile, 1:11 (1982.11), pp. 52-53. — .“Aesthetic education and Christian schools .” (editorial) Christian Weekly, 1982.11.14. 一 • “Chinese church music: Wha t the Western church has challenged us." Christian Weekly, 1982.11.21. — . “ V a l u e of academic pursuit for musician." Music Audiophile, 1:12 (1982.12), p. 67. - • "The composer's quest: Word and music, host or slave.''Bauhinian Suite, 1983, pp. 16-21. 一 ."Indigenization of church music: Pros and cons.” Sacred Music Quarterly, 5:3 (1983.7). - • "Music education — A lost vision of Christian schools .”C hristian Education Today, 20 (1983.12), p. 3. Lu, Ping-chuan 呂炳川 -：《中國音樂綜覽》，台北：聯經出版事業公司， 1982。 -： 《高山族 音樂》，北京：中國藝術硏究院音樂硏究所， 1982. 8 。 -：《台灣土著族音樂》，台北：百科文化事業公司， 1982. 9。 -：《台灣傳統音樂》， Bauhinian Suite, 1983 ，頁 27-33。 —：《兒童音樂敎育》，《華僑日報》， 1984. 8. 20 —. " L i a n p us in Peking opera.” In The Sixth Tsuen Wan Arts Festival pp. 4549. Hong Kong: The Executive Committee of the Sixth Tsuen Wan Arts Festival, 1984. - . “ T r a d i t i o n al music in Taiwan .” ChinaMusic (Beijing), 14 (1984.2 )， pp. 31-37 and 40. — • “Ethnomusicology in Hong Kong .” TheMusical Digest (Taiwan), 69 (1984.9 )， pp. 33-36. 一 • “Introduce d the Chinese Music Archive of The Chinese University of Hong Kong." The Musical Digest (Taiwan), 69 (1984.9), pp. 37-40. - ， t r . Talent Education begins from the Age of Zero by Shinichi Suzuki. Taipei: Ta Shin Press Co., 1985.1. — .“Traditional Chinese and Japanese music - A comparative view." In The Seventh Tsuen Wan Arts Festival Hong Kong: The Executive Committee of the Seventh Tsuen Wan Arts Festival, 1985.2. -: → 004. Ryker, Harrison C, - ， ed. 25 Years of Asian NewMusic. Hong Kong Composers' Guild and Asian Composers' League, 1983. — ."Some aspects of composing in Asia." Bauhinian Suite, 1983, pp. 9-15. 一 • “Music maestros please - Portraits of Stern, Ashkenazy and the Philadelphia Orchestra.” TV and Entertainment Times, 599 (1985.5), pp. 8-9. - • “The year of playing beautifully .” TV and Entertainment Times, 602 (1985.6 )， pp. 10-11. 一 ； (Travers, Roger-Clude; and Demoulin). "Nouvelle informations sur la discographie Vivaldi 78 tours." Informazioni e studi Vidaldiani, Bollettino annuale dell'istituto Italiano Antonio Vivaldi, 4 (1983 )， pp. 98-100. Tsang, Richard Y. F. 曽葉發 一 . “ A survey of Hong Kong music composition." and “The Hong Kong contemporary music composition scene .” In The 1985 Tsuen Wan Arts Festival Souvenir Programme. Hong Kong: TsuenWan Arts Festival, 1985. Tsao, Benny P.Y . 曹本冶 一：《也談民族音樂學》，《明報月刊》， 19 ： 9 ( 1984.9 ) ，頁 63-64。 - . " S u - c h o u t'an-tz'u: The components of its performance." Bauhinian Suite, 1983, pp. 37-40. 一 • Book Review: Chinese Zither Tutor by Lieberman. Journal of Oriental Studies, 22. 一 . The Music of Su-chou t'an-tz'u: A Study of the Structural Elements of the Chinese Southern Singing-Narratives. Hong Kong: The Chinese University Press, 1985. 一 • "On Ethnomusicology."Min-tju Min-hsien Yin-yue, 1985.3, pp. 31-33. — • "The structure of t'an tz'u music.” In Proceedings of Seminar for Chinese Ethnic Music. 一 ： → 004. 64